Madama Butterfly

An opera in 3 acts | Composer: Giacomo Puccini | Librettist: Luigi Illica and Giuseppe Giacosa

22 Apr (Wed), 3:00pm (For Secondary Schools ONLY)
23 Apr (Thur), 3:00pm (For Secondary Schools ONLY)
24 Apr (Fri), 3:00pm (For Secondary Schools ONLY)
24 Apr (Fri), 7:30pm (For General Public)

For Student Performances: $45 (Students, Teachers)
Application Application can be submitted online: LINK
* Tickets at $10 are available for Comprehensive Social Security Assistance (CSSA) recipients on a first-come-first-served basis.

For Public Performance: $180, $90
Tickets are available from 27 February 2026

Runtime: Approximately 1 hours 30 minutes
Language: Italian | Surtitle: Chinese & English
Narration: Cantonese

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Synopsis

ACT I

On a terrace above Nagasaki harbour, Lieutenant B. F. Pinkerton inspects the house he has leased from a marriage broker, Goro, who has procured him a geisha wife known as Butterfly. To American Consul Sharpless, Pinkerton describes his carefree philosophy of pleasure. For the moment, he is enchanted with the fragile Butterfly and intends to go through a marriage ceremony with her. When Sharpless warns that the girl may not take her vows lightly, the Lieutenant brushes aside such scruples, adding that he will one day take a ‘real’ American wife. At that moment Butterfly is heard in the distance joyously singing of her wedding day. On arrival, surrounded by her friends, she tells Pinkerton how, when her family fell on hard times, she had to earn her living as a geisha. Soon her relatives arrive and noisily express their opinions on the marriage. When she finds a quiet moment, Butterfly shows her bridegroom her few earthly treasures, telling him that she has adopted his Christian faith. With much pomp and dignity, the Imperial Commissioner performs the wedding ceremony, after which the guests toast the couple. Suddenly Butterfly’s uncle Bonzo, a high priest, bursts upon the scene, cursing the girl for having renounced her ancestor’s religion. Pinkerton angrily orders the priest and family to leave. Alone with the bride, he dries her tears and reminds her that night is falling. Helped by her maid Suzuki into a pure white kimono, Butterfly joins the ardent Pinkerton in the garden, where they sing of their love.

ACT II

Three years later, Butterfly still waits for her husband’s return. As Suzuki prays to her gods for aid, her mistress has her eyes fixed on the harbour. The maid urges Butterfly to remarry, for Pinkerton will never return. Butterfly asserts her faith: one ne day his ship will appear on the horizon. The Consul comes with a letter from Pinkerton, but before he can read it to Butterfly, Goro brings the latest suitor for her hand. The girl dismisses both him and the wealthy Prince Yamadori, insisting that her American husband has not deserted her. When they are alone, Sharpless again starts to read her the letter, suggesting as tactfully as he can that Pinkerton may never return. Butterfly proudly carries forth their child, insisting that as soon as Pinkerton knows of his son, he will surely come back. Moved by her devotion and lacking the heart to tell her of Pinkerton’s remarriage, Sharpless leaves. Butterfly hears a cannon shot; seizing a spyglass, she discovers Pinkerton’s ship entering the harbour. Delirious with joy, she and Suzuki strew the house with flowers petals. Then, as night falls, she dons her wedding gown and, with her son and Suzuki, waits for her husband’s return.

ACT III

As dawn breaks, Suzuki insists that Butterfly rests. Humming a lullaby to her child, she carries him to another room. Before long, Sharpless, Pinkerton and then Kate, his new wife, enter. When Suzuki realizes the truth, she collapses in despair. Out of consideration for her mistress, however, she agrees to break the news to her. Pinkerton is overcome with remorse, bids farewell to the scene of his former happiness, then rushes away. No sooner is he gone then Butterfly comes forth, expecting to find him but finding Kate instead. She takes but a moment to guess the truth. Leaning on Suzuki for support, she agrees to give up her child if the father will return for him. Then sending Suzuki away, she takes a dagger and bows before a statue of Buddha. Just as she raises the blade, Suzuki pushes the child into the room. Tearfully sobbing a farewell to him, Butterfly sends him out to play. Then, she stabs herself. Pinkerton’s voice is heard in the distance calling her name.

Cast

Cast

Cio-cio-san

Rianne Lau (22 & 24/4, 3PM)

Nadia Wong (23/4, 3PM & 24/4, 7:30PM)

Pinkerton

Robert Macfarlane

Sharpless

Jacob Dyksterhouse

Suzuki and Narrator

Christy Li

Goro

Gabriel Ma (22 & 24/4, 3PM)

Lau Wing Chung (23/4, 3PM & 24/4, 7:30PM)

Kate Pinkerton

Natalia Tokar

Creative Team

Creative Team

Artistic Director

Lo Kingman

Director and Executive Producer

Leung Siu Kwan Cindy

Set Designer

Isaac Wong

Costume Designer

Andrew Cheung

Lighting Designer

Adonic Lo

Make-up Designer

Betty Wan

Conductor

Isaac Droscha

Répétiteur

Ming Kwong

Alexander Wong

Anna Ngai

Kelvin Tsui *

* 2024/25 The Arts Talents Internship Matching Programme is supported by the Hong Kong Arts Development Council